Characters on the Couch: Viola Carr's Lizzie and Eliza

It's often said that we authors have voices in our heads. Viola Carr has voices with their own voices. She's currently in the midst of the very clever Electric Empire steampunk series. The second, The Devious Dr. Jekyll, came out Tuesday.

THE DIABOLICAL MISS HYDE

Magic, mystery, and romance mix in this edgy steampunk fantasy retelling of the horror classic—in which Dr. Eliza Jekyll is the daughter of the infamous Dr. Henry Jekyll.

In an electric-powered Victorian London, Dr. Eliza Jekyll is a crime scene investigator, hunting killers with inventive new technological gadgets. Now, a new killer is splattering London in blood, drugging beautiful women and slicing off their limbs. Catching the Chopper will make Eliza’s career - or get her burned. Because Eliza has a dark secret. A seductive second self, set free by her father’s forbidden magical elixir: wild, impulsive Lizzie Hyde. 

When the Royal Society sends their Enforcer, the mercurial Captain Lafayette, to prove she’s a sorcerer, Eliza must resist the elixir with all her power. But as the Chopper case draws her into London’s luminous magical underworld, Eliza will need all the help she can get. Even if it means getting close to Lafayette, who harbors an evil curse of his own. 

Even if it means risking everything and setting vengeful Lizzie free …

Before I give you the cover and blurb for the second book, which I cannot wait to read, here's an interview with Viola, Eliza, and Lizzie. It made me laugh, which gives you an idea of the tone of the books. Yes, there's some dark stuff, but a lot of humor. Oh, and as you can see, she comes from a place where they add an extra vowel to "behaviour."

1. If your character were to go to a psychologist – willingly or unwillingly – what would bring them in? Yes, a court order is a valid answer.

Oh, dear. Where does one begin? {evil laugh}

My heroine – crime scene physician Dr. Eliza Jekyll – is witty, clever, polite and cautious. But she has a secret dual identity. Drink the magic potion, and she becomes Lizzie Hyde, her flamboyant, rude second self.

Lizzie is reckless, angry and unafraid. She carouses in seedy pubs, drinks too much gin and flirts with dangerous men. She couldn't care less what other people think of her.

Which would be all very well, if Eliza wasn't trying to carry on a respectable career in a strait-laced Victorian London obsessed with keeping up appearances. If Eliza wasn't addicted to the magic potion, over-using to the extent that Lizzie sometimes pops out of her own accord. And if magic of any kind wasn't forbidden on pain of execution.

Most inconvenient!

Understandably, Eliza doesn’t like talking about her 'problem'. Getting her into therapy won't be easy without a pretext. She's worked as a mad-doctor in lunatic asylums. So you might get her in your office with the promise of showing her some cool new treatment for mental illness. As for treating her own issues… well, she'd decline with a sharp smile and a witticism, and walk away.

Lizzie thinks it's Eliza who's the problem. Offer her a way to get rid of Eliza, and she'd at least listen. If you suggest to her she's a sickness who needs to be cured? She'll likely punch you in the face.

2. Is the presenting problem one of the main internal or external conflicts in your book? If so, how does it present itself?

Yes to both! External, because changing shape at whim is very inconvenient when magic is a capital offense. Spies are everywhere. She's sure to get caught.

And internal, because despite the trouble Lizzie causes, deep in her heart Eliza secretly wants to be Lizzie. To say and do exactly what she thinks, to take what she wants with no regard for the consequences.

Lizzie, too, wants her own life. She's sick of being stuck inside Eliza all the time. She wants out.

Not to mention the romantic conflict. What if they're interested in different men? Worse: what if it's the same man?

Most of the time, they'd each happily strangle the other… but they love each other, too. The way we all secretly love the darkest, strangest part of our own heart. Because, well, it's our heart.

3. It's always interesting to see how people act when they first enter my office. Do they immediately go for my chair, hesitate before sitting anywhere, flop on the couch, etc.? What would your character do?

Eliza sits quietly, smooths her inoffensive gray skirts, folds her hands in her lap. She listens to what you've got to say before she opens her mouth to demolish you with her cutting wit, so she won't have to face the problem.

Lizzie – assuming you got her in there at all – slouches about, grumbling and poking at your stuff and wondering where the gin is.

4. Does your character talk to the therapist? How open/revealing will your character be? What will he or she say first?

Lizzie: {flops on couch in a flounce of scarlet skirts} Well? Don't just sit there gaping like a stunned sardine. Get on with it. All this head-shrinking malarkey is cutting into my drinking time.

Therapist: I'd like you to talk to me about the effect your behaviour is having on your host.
CD note: Viola made it easy on me and filled in the therapist questions.
Lizzie: {snorts} My behaviour? All my fault, is it? What about her? She never wants to have any fun! Always yammering in my ear with 'do this', 'don't do that', 'keep your voice down', 'ooh, Lizzie, don't flirt, whatever are you up to with that sly-fingered gent?'

Therapist: So you’re hearing her voice?  She gives you instructions?

Lizzie: Invading my privacy, that's what it is. Right distracting it is, too, having prim and prissy Dr. Eliza chirping in my ear when I'm getting down to most private business. Never a moment's peace!

Therapist: And how does that make you feel?
CD: Hahahahaha!

Lizzie: Like I want to punch her in the nose? I'm only doing what she'd do if she had the guts. At least Miss Lizzie knows how to have a good time. I'm a prisoner, that's what I am. I'm the victim here. She's the one with a stick shoved up her snooty behind.

Therapist: I'm sensing some hostility…

Lizzie: Right. She's the one what hates me. I'm just trying to get along. Are we done here?

5. Your character walks into the bar down the street after his/her first therapy session. What does he/she order? What happens next?

Lizzie orders gin. Flirts with the bartender. More gin. Flirts with the bloke next to her until he pays for more gin. Has deep conversation about how she, Lizzie, is just fine the way she is, thanks very much, and Eliza is the one who ought to get some frickin' therapy. More gin, laced with laudanum. Everything goes black. Eliza wakes up next morning sprawled on the pub floor, wondering what the hell happened, where her stockings are and why her skirt has blood on it.

6. When you're building characters, do you have any tricks you use to really get into their psyches, like a character interview or personality system (e.g., Myers-Briggs types)?

I definitely do a lot of work on backstory. What are the pivotal events that made this character the way she is? What are the core beliefs that guide her decisions? And what are her limits – what would those core beliefs never allow her to say or do?

Often the characters don't consciously know what these things are. One of Eliza's core values is justice – she's driven to solve crimes and get justice for murder victims, particularly murdered women. But at the start of the series, she doesn't really know why - not until she uncovers some mysteries from her childhood does she come to understand.

Thanks for hosting me on your blog today – it was lots of fun!

And thank you for coming by! You gave great answers. I mean, Lizzie did. 

My review of The Diabolical Miss Hyde:

I picked up a copy of The Diabolical Miss Hyde at the Avon Party at the Romantic Times Convention because it was the only obvious steampunk there. I started reading it that night and got sucked in, but then life got in the way. I picked it back up last night, and can we say book hangover? I was up way too late finishing it.

Eliza Jekyll is the daughter of that Doctor Jekyll, and she's a forensic medical specialist, although that's not what she's called. She also has a secret. Like her father, she has a literal dark side who comes out, Lizzie Hyde, and does all sorts of naughty things.

One of the things that really worked about this book that I never would have expected was that Eliza's parts are in third person while Lizzie's are in first. It gives the reader a good sense of Lizzie's frenetic immediateness, especially since she only gets to come out every so often. It also works for the transitions later in the book so you know exactly whose POV we're getting.

Also intriguing is Captain Remy LaFayette, who is part of the Royal Service whose mission is to squash the practice of magic, but who is dealing with his own curse. I won't spoil what it is, but I found it all intriguing. Lizzie is attracted to this captain with a dark side, but he's got the hots for Eliza, and wow, that's going to be a complicated love triangle, especially since Eliza is attracted to a bad boy of her own.

I really really hope this is the first in a series because I can't wait to get back to this complex world and these fascinating characters. (And I'm so glad it is!)

THE DEVIOUS DR. JEKYLL

A perilous case. A worthy foe. This could make her career ... or ruin it forever.

Solving the notorious Chopper case was supposed to help crime scene physician Dr. Eliza Jekyll—daughter of the infamous Henry—establish her fledgling career in the chauvinistic world of Victorian law enforcement. But the scrutiny that comes with her newfound fame is unwelcome for a woman with a diabolical secret: her dark and jealous shadow self, Lizzie Hyde. And there is the mercurial Royal Society agent with his own secret to hide, Captain Remy Lafayette. Does he want to marry Eliza or burn her at the stake? It’s impossible, however, for Eliza to push Remy away when he tempts her with the one thing she can’t resist: a bizarre crime to investigate. And although Eliza is uncertain about Remy, Lizzie isn’t. Lizzie wants to steal the magnetic and persistent agent and usurp Eliza’s life. 

As the search for a bloodthirsty ritual torturer dubbed the Pentacle Killer draws Eliza and Remy into a terrifying world of spies, art thieves, and evil alchemy—where the price of immortality is madness or damnation—only Lizzie’s dark ingenuity can help Eliza survive. Eliza and Remy must race to thwart a foul conspiracy involving the sorcerous French, but they must also overcome a sinister enemy who is all too close to home: the vengeful Lizzie, who is determined to dispose of Eliza for good.

AUTHOR BIO

Viola Carr was born in a strange and distant land, but wandered into darkest London one foggy October evening and never found her way out. She now devours countless history books and dictates fantastical novels by gaslight, accompanied by classical music and the snoring of her slumbering cat. You can find her on Facebook and Twitter.

If you could be your evil twin for one night, what would you do? Comment for a chance to win a paperback copy of The Diabolical Miss Hyde.

Character on the Couch: Markhat, Steampunk Detective

Happy Thursday! Today I'm happy to welcome Markhat, who is the creation of Frank Tuttle, who would probably be an interesting character himself. He has a steampunk series with my publisher and even shares my editor.

Here's the blurb for the latest book in the Markhat series, The Darker Carnival:

When Dark’s Diverse Delights arrives by night to set up shows and rides that promise fun and excitement for one and all, the outskirts of Rannit begin to look disturbingly like the nightmares that plague Markhat’s sleep.

Mama Hog has sent him a new client, a cattle rancher with a missing daughter. Markhat’s search reveals genuine terrors lurking amidst the carnival’s tawdry sideshows, where Death itself takes the main stage every evening, just past midnight.

The orchestrator of the murderous, monstrous mayhem is the mysterious carnival master, Ubel Thorkel. And after Buttercup the Banshee is threatened, Markhat is in a race against time to find the carnival’s dark heart and strike it down once and for all—or die trying.

And now I present Markhat and his creator, Frank Tuttle:

1. If your character were to go to a psychologist – willingly or unwillingly – what would bring them in? Yes, a court order is a valid  answer.

I can think of two instances which might prompt Markhat to seek out the services of a psychologist. One would be gentle prompting from his wife Darla; if she expressed genuine concern over his mental state and asked him to seek help, he would. The only other coercion Markhat would likely respond to would be Mama Hog's incessant nagging. Mama Hog, for all her feigned ignorance and backcountry speech, is a brilliant and perceptive woman who knows exactly which of Markhat's buttons to push.

2. Is the presenting problem one of the main internal or external conflicts in your book? If so, how does it present itself?

Markhat is a war vet. He spent his hitch in the Army as a dog handler, working to locate and root out hidden pockets of Troll troops deep underground. He survived, but suffers from what his people call 'war madness' and we call PTSD. Through the books, he's drifted deeper and deeper into the darkness, and his actions are sometimes influenced by the trauma of the war.

3. It's always interesting to see how people act when they first enter my office. Do they immediately go for my chair, hesitate before sitting anywhere, flop on the couch, etc.? What would your character do?

I know precisely what Markhat would do. He's a smart-ass, with a deep distrust for authority figures.

Markhat's world is one in which magic is rapidly being overshadowed by gunpowder and steam. Whereas magic is expensive and notoriously unreliable, the emerging technologies are proving deadly and efficient. Markhat carries a vampire-built revolver. Gas-lamps light Rannit's streets. Gangsters use repeating rifles. Iron bridges and tall buildings are going up all over. There are newspapers and restaurants.

So I'll just assume he knows what a psychologist is, and he is also aware of the familiar cliches -- the couch, the notebooks, all that.

He would walk in smiling, hat in hand. If you offered to shake his hand, he would do so, neither too hard or too soft. He'd be cordial and direct.

Then he would walk right to the couch, lie down upon it, lay his hat on his chest, and say "It all started with my mother. Better get two pencils. I had a long childhood."

CD: LOL. I actually find it to be somewhat diagnostic when someone flops on the couch rather than sitting.

4. Does your character talk to the therapist? How open/revealing will your character be?

Getting Markhat to talk wouldn't be the problem.

Getting him to talk about what's really bothering him would. He would evade. Deflect with humor or sarcasm. Change the subject. Intentionally misdirect.

Markhat's way of handling his issues is to ignore them. To redirect his energies. To dive into someone else's problem. Deep down, he doesn't believe he can be fixed, and that the best he can do is make sure Darla never finds out just how deep the damage runs.

Also, there are things he can't tell anyone without placing them in danger. Markhat's activities have left him tainted with a dark form of sorcery, and if Rannit's rabidly insane sorcerers ever learn his secret, it will doom him and anyone else who knows what he knows.

 5. Your character walks into the bar down the street after his/her first therapy session. What does he/she order? What happens next?

That's easy. There's a bar called One-Eyed Eddie's. Markhat would find his usual stool. Eddie would, without a word, bring Markhat a tall glass of dark beer (Upland Dark). Markhat would slide a coin across the stained bartop and it would vanish into Eddie's apron and that would the extent of the conversation.

Eddie is a vet too. Both Markhat and Eddie appreciate the silence. Markhat would drink a beer, maybe two. Maybe have a sandwich, because Eddie doesn't skimp on the ham. There might be a hello or a goodbye exchanged between the regulars as they come and go, but, on the whole, One-Eyed Eddie's is a quiet place in a loud, rude world.

Now, before Markhat met Darla, he might have stayed for a third or a sixth or a ninth beer. But not anymore.

6. When you're building characters, do you have any tricks you use to really get into their psyches, like a character interview or personality
 system (e.g., Myers-Briggs types)?

Nothing so formal. I just picture them, imagine them doing whatever it is they do. I use aspects of real people I've known -- Mama Hog, for instance, is based my paternal grandmother. Markhat is a combination of every film noir tough guy detective I know, with a lot of me mixed in.

CD: I would never have guessed.  ;-)

I do have extensive histories built for all my characters. Most of the details never make it into the books, which is fine, as long as I know and understand how each will likely react to a particular situation. Dark, damp places make Markhat's heart pound. Darla hates the sound of trumpets. Mama Hog loathes priests to the point of outright homicide. It's important to not only give characters a history, but to bring it to life, even in small things.

For me, speech is the most telling aspect of a person's true nature. I'm a shameless eavesdropper. I listen to strangers, watch how they say what they say. Then I usually imagine their motives and inner struggles until the waiter taps me on the shoulder and says the people at Table Six have complained that I am staring.

Thank you so much for stopping by! This was fun. Both you and your character have very entertaining voices.

Frank Tuttle first began writing under the woefully mistaken impression doing so would release him from the burden of ever doing honest work. “It turns out writing is hard,” said Frank as he pulled out great handfuls of hair. “That was never mentioned in Strunk and White’s Elements of Style.” Frank’s first published works appeared in print magazines such as Weird Tales and Marion Zimmer Bradley’s Fantasy Magazine in the late 1990s. Since then, Frank has published nine Markhat novels and a variety of shorter works. Frank rarely resorts to hair-pulling these days, preferring to weep inconsolably while affixing his toupee. Frank invites you to visit his website www.franktuttle.com.

CD: And if you'd like to get first peek at the cover, blurb, and excerpt from my upcoming steampunk, please sign up for my monthly(ish) newsletter. I'll also talk about the best devices for reading at night to minimize impact on sleep and my current favorite summer wine.

Blood's Shadow release day!

It's release day for Blood's Shadow, the third Lycanthropy Files book! Thank you especially to my editor Holly Atkinson and Samhain Publishing for helping this dream come true. I'd also like to thank my readers for taking a chance on a new author. I hope you've enjoyed reading these books as much as I've loved writing them.

Encountering werewolves can be deadly. Trying to cure them? Murder.

The Lycanthropy Files, Book 3

As the Investigator for the Lycanthrope Council, Gabriel McCord encountered his share of sticky situations in order to keep werewolf kind under the radar of discovery. Now, as the Council’s liaison to the Institute for Lycanthropic Reversal, he advocates for those who were turned werewolf against their will.

Everyone seems to be on board with the Institute’s controversial experimental process— until one of its geneticists is found lying on his desk in a pool of blood. Gabriel races to single out a killer from a long list of suspects. Purists, who believe lycanthropy is a gift that shouldn’t be returned. Young Bloods, who want the cure for born lycanthropes as well as made. The Institute’s own very attractive psychologist, whose most precious possession has fallen into the hands of an ancient secret society bent on the destruction of werewolves.

Failure means he’ll lose his place on the Council and endanger the tenuous truce between wizard and lycanthrope. Even if he wins, he could lose his heart to a woman with deadly secrets of her own.

Warning: Some bloody scenes, adult language, and consensual sex between adults. Also alcohol consumption at Scottish levels and tempting portrayals of unhealthy Scottish food.

I wrote the books to stand alone if that's how people would prefer to read them, but if you do want to grab the whole series today, it's a great time to do so because the first two books are on sale through today. You can click on the links above for excerpts and buy links or the pictures to the right if you'd like to buy them from Samhain.

Meanwhile, here are the buy links for Blood's Shadow:

Amazon

Barnes & Noble

Kobo

Samhain (all ebook formats available and on sale for $3.85)

Cover and Blurb Reveal: Blood's Shadow

Encountering werewolves can be deadly. Trying to cure them? Murder.

The Lycanthropy Files, Book 3

As the Investigator for the Lycanthrope Council, Gabriel McCord encountered his share of sticky situations in order to keep werewolf kind under the radar of discovery. Now, as the Council’s liaison to the Institute for Lycanthropic Reversal, he advocates for those who were turned werewolf against their will.

Everyone seems to be on board with the Institute’s controversial experimental process—until one of its geneticists is found lying on his desk in a pool of blood.

Gabriel races to single out a killer from a long list of suspects. Purists, who believe lycanthropy is a gift that shouldn’t be returned. Young Bloods, who want the cure for born lycanthropes as well as made. The Institute’s own very attractive psychologist, whose most precious possession has fallen into the hands of an ancient secret society bent on the destruction of werewolves.

Failure means he’ll lose his place on the Council and endanger the tenuous truce between wizard and lycanthrope. Even if he wins, he could lose his heart to a woman with deadly secrets of her own.

Paperback release date:  November 3, 2015

Buy links:

Amazon

Barnes & Noble

Samhain Publishing

From the Paranormal Romance Authors that Rock review:

This is my first time reading any of Cecilia Dominic’s books.  It won’t be the last. I enjoyed her  spin on the werewolf tales.

This book was more of a Werewolf mystery with a dash of romance.  The characters were well thought out and complex.
Strong writing, hooked me from the start to the end.

The character of Gabriel McCord is an investigator for the Lycanthrope Council, he is a handsome werewolf with the mind of Sherlock Holmes.

He falls for a lovely psychologist who is hiding a secret from Gabriel.  While he tries to stop a killer.

I give this book 5 fangs

Excerpt from Chapter Eight: 

I checked through the peephole and saw the last person I expected: Selene.

I opened the door and pulled Selene inside. “Are you crazy? You don’t know who might be out there!”

“What is your problem?” She detached her arm from my grip and narrowed her eyes at the Scotch in my hand. “Are you drinking that straight from the bottle?”

“No, I’m drinking it from a glass like a gentleman,” I said and motioned for her to follow me into the kitchen, thinking it would be best to introduce her to David before he surprised us. But when I got in there, I saw he’d left through the side door. His empty glass sat on the counter beside the letter from my father, and the sound of his car’s engine started and moved away.

“What’s that?” she asked and reached for it.

“Official business,” I told her and picked it up. It barely had any weight to it, and I handled it carefully.

“From when, nineteen hundred?”

“Nineteen forty-three,” I murmured.

She shook her head. “Look, I’m sorry if I’m interrupting something,” she said. “I was driving by and…” She squeezed her eyes shut. “That’s a lie. I looked you up and found you.”

I bit my tongue so I wouldn't ask if she’d consulted her scarfaced concussion-dealing friend before showing up for a visit. “What can I fix you to drink?”

She opened her eyes, and her open face betrayed her surprise. How had she gotten mixed up with that bloke at the pub? She reeked of innocence, but she was no dummy. “To drink?” she asked.

“The rules of hospitality dictate that if a guest shows up at one’s residence, one should offer some sort of refreshment. Thus, would you like a drink?”

She nodded. “Do you have any wine?”

I gestured to my dual zone wine fridge. “Red or white?”

“White, please.”

Soon I had her settled with a glass of Chenin Blanc on the opposite end of the sofa. The similarity to David’s visit from earlier didn’t escape me, but she was nicer to look at.

“So what brings you to Shady Acres?” I asked. “I’m afraid it’s not the Scotland in coffee table books.”
“It’s fine,” she said. “It’s not so different from home except our historical houses are a couple, not several, hundred years old. As for what brings me…” She looked into her glass. “I wanted to know how the investigation into Otis’s death is going.”

“I had official business today, so I wasn’t able to do any investigating, but I will give it my full attention tomorrow. I’m hoping Garou will have his reports ready by then.”

“Are you going to question us? He already did.”

“That depends. Can you add to your statement?”

“Garou implied we were dating,” she said. “But we weren’t. But still, it’s my fault that Otis died.”

That drew my attention away from the curve of her neck and the way one button on her blouse seemed to hang on for dear life over her breasts. “Fill me in here. How does Garou’s implication cause you to be a murderer?”

She blinked, and two fat tears trailed down her cheeks. “Other people thought we were dating, or at least that we were more than friends. Because we were the same age and American, maybe. Lonna even hinted that it wouldn’t be a good idea to cross personal and professional relationships.” She snorted. “Like she’s not married to her co-director.”

“Right. Believe me, we did consider that, but we need both of them. Go on. I’m still not convinced LeConte’s death is your fault.”

“That morning after staffing, he asked me to walk with him to his office. He said he had something to ask me. I was afraid of what he’d say, he looked so hopeful and afraid all at the same time. I said no, I had things I needed to do before your visit. The next time I saw him, he was dead.”

“What do you think he was going to ask you?”

“To go out with him, I guess. I don’t know what else it could have been. But don’t you see? If I’d gone to his office with him, he might not have been killed or he would have had warning that something wasn’t right. You know we hear and smell better than humans do.”

“Or they might have gotten you too,” I reminded her. “Did you go to his office between his request to you that morning and when we found him?”

“I…” She looked down at her now empty wine glass. “I didn’t.”

I knew she was lying, but I didn’t want to confront her and spook my only link to the murder’s witness into running for the States. That she opened up to me even minimally gave me hope she would continue to do so as she came to trust me. “Do you remember anything else unusual about him or his behavior that day?”

“No, only that he was excited about getting the applications. He had a project on the side tracing the family records of known lycanthrope lines, and he was looking forward to putting it all together to see how the subjects’ lines intersected with the ones we know about and to isolate another genetic marker to maybe figure out why Chronic Lycanthropy Syndrome fully expresses in some people but not in others.” She shrugged. “That’s all I can remember.”

“I appreciate your coming to visit me today, but was it really necessary?”

“I needed to talk to you outside the Institute. I don’t feel comfortable there anymore.” She shuddered.
“It’s like I’m being watched.”

I thought about the letter in the kitchen. “I know the feeling.”

She stood, and I did as well. “Thank you for the wine,” she said and held out her glass to me.

“My pleasure.” Our fingertips brushed when she handed the crystal over, and again, I got the image of her as a wolf looking into a pool of water, not unlike where David and I had stopped and been shot at that afternoon.

She looked up at me with a smile she tucked away, and again, I wondered what she’d seen. It was unusual enough for such strong visual images to come through with scent, and for them to do so with touch puzzled me. Was it part of me coming into my full power?

“I should be going,” she said.

I followed her to the front door. “Be careful,” I told her. “You don’t know who or what is out there watching.”

With a quick nod, she walked to her car and went to the passenger side before sighing and going to the driver’s side. She must not have been in the country that long if she was still trying to drive from the wrong side of the car. I hoped she would remember what side of the road to use.

Readers on the Couch: Guest Blog at the Mesdames of Mayhem

I wasn't able to post this one right away since I was at a conference and my iPad wouldn't see the wireless. My newest guest post is at the Mesdames of Mayhem, where I discuss why we love mysteries from a psychological point of view.

As a psychologist and behavioral sleep medicine specialist, I hear the following three complaints most often in my practice:

1. I can’t sleep.
2. My mind won’t stop racing.
3. Why is this anxiety/depression/sleep problem happening to me?

I address the first two a lot. The third one doesn’t come up quite as often because people, being naturally curious about themselves and their own lives and minds, usually have a good idea of how their sleep problems started. However, when I ask if they can think of what kicked off their insomnia, about ten to twenty percent of patients frown, wrinkle their noses, and eventually admit they can’t say why or give some vague answer like “stress, but my life has always been stressful, so I’m not sure that’s it.” Some are very distressed that they can’t figure out the origin of the problem because, as human beings, we like to have explanations. Knowing why gives us a sense of control.

To read the rest, click here.

Don't forget that my debut novel The Mountain's Shadow is now available in all electronic formats from Amazon, Barnes & Noble, and other ebook retailers.

Metapost: A Little Light Self-Promotion...

In January, I entered publisher Buddhapuss Ink's Mystery Times Ten contest, and in March I got an email that I had been selected as one of the twenty finalists. This meant a lot because my story had impressed the teen panelists, who I figured would be the toughest of all. Then I got an email on a Friday in April that I was one of the ten finalists, which excited me because it meant that, even if I hadn't placed, I would be able to skip the slush pile if I were to ever submit a Young Adult novel to them. The following Monday, I got the very happy news that I'd placed first! Yep, I got a Kindle. This is somewhat ironic after my long debate over what kind of e-reader I'd buy. Between that and my Nook Color, I now have access to just about everything.

The books themselves came out on July 22, and my story "The Coral Temple" is the first one. One of the judges said the following:

"[This story] was fantastic! Seriously, so well-developed with a multitude of characters that come alive at once, a tautly wrapped up mystery, and that wonderful element of a mysterious far off place we’ve never been. The social hierarchy, the setting description, and the emotional pieces all work, too. Plus the characters are teens. Oh joy!"

This is my first major short story publication, so of course I'm very excited. You can order the book directly from Amazon here, or if you would like a signed copy, please email me at cecilia {at} ceciliadominic {dot} com, and I'll send you details about shipping, payment, etc.

Book Review: Silent Scream: A Groovy Mystery Caper

It's hard to write, finish, and revise a book, and it takes courage and money to get it out there if the author wants to self-publish. Readers who are interested in self-published books but who don't want to waste their time on low-quality ones need a place to go for reviews. I'll post a review of a self-published book the first weekend of every month so that authors and readers can connect with each other. Interviews have been put on hold for now due to time constraints.

A disclaimer: I'm going to start with books by authors I know through real-life connections and through Twitter. If you're interested in getting your book reviewed, please email my assistant at bert{at}ceciliadominic.com or follow Bert on Twitter and message him there.



Title: Silent Scream: A Groovy Mystery Caper
Author: James Huskins
Genre: Historical Mystery

My father loves mystery novels, so I grew up reading books by Agatha Christie, P.D. James, Dick Francis, and other greats that I "borrowed" from his shelves. Consequently, I was excited to get the chance to review Silent Scream: A Groovy Mystery Caper by James Huskins.

Silence, whether it's for years or hours, can be deadly, and the different meanings and consequences of silence are the theme of this novel. Silent movie star Nora Bates and her cohort have kept quiet about an unsolved murder and a host of other scandals for years. The imminent publication of her memoirs causes someone to panic, which leads to two threatening notes, one attempted poisoning, and a murder. Main character Yancey Dunkle struggles to keep a secret from his boss, publisher Joseph Fitzroy, and everyone else. Fitzroy charges Dunkle to figure out what's going on, but after Dunkle is caught snooping by a real detective, the hapless driver becomes the primary suspect for the current murder.

If you're wondering what era the Groovy Mystery capers are set in, and the title doesn't give you a clue, consider that an Amazon.com search for Groovy Mystery pulls up a bunch of Scooby Doo books as well as Silent Scream. However, Dunkle, Bates, and the others precede the fictional Mystery Machine crew by about nine years and could be their parents or grandparents. There is no dog, but Dunkle does get to drive a pretty sweet car. Huskins describes 1960 Los Angeles and Palm Springs with enough detail to give a sense of place, but not so much as to be overwhelming. He also seems to have done his research into Old Hollywood and the culture around the transition from silent movies to "talkies."

Celebrities are a neurotic bunch in any era, and conversations about the past and old photos give Dunkle clues about motives and hidden relationships. As a lowly driver, he blends into the background, eyes and ears open, and has access to informative hotel staff. When his own secret is revealed, it adds unexpected depth and sympathy to his character, which has potential to grow during the planned series.

At first, the cast of characters seemed overwhelming, and I did have to refer to previous pages to keep everyone straight, especially once Bates and retinue get to Palm Springs for the official book release. Huskins adds a few more characters to the mix just before the climax, and earlier reference to those personalities and why they were important would have been helpful. There is one point-of-view shift away from Dunkle's perspective toward the beginning of the book, and it was a little confusing and unnecessary, as we got to know those characters through Dunkle's eyes immediately after.

Overall, I enjoyed Silent Scream and finished it in less than a day. Huskins' love of the era and his subjects come through in his writing, and I look forward to the rest of the series. Although Huskins describes his book as a "gay mystery," it should appeal to a wide range of mystery lovers. I'll likely give a copy to my Dad.

Silent Scream: A Groovy Mystery Caper can be purchased in paperback for $12.99 or for Kindle for $4.99 from Amazon.com.

Next up in March: Venturing into nonfiction with Perry Treadwell's From Sea to Shining Sea On U.S. 20: Boston to Newport, Oregon

Previous Reviews:
Laura Eno's Don't Fall Asleep: A Dream Assassin Novel
Donna Carrick's The First Excellence -- Fa-Ling's Map
Kenn Allen's The Golden Cockerel

Disclaimer: This review was of a courtesy copy received from the author for no charge. My opinion of the book was not biased by this or by the fact that Jim and I are friends.

Book Review: The First Excellence by Donna Carrick

It's hard to write, finish, and revise a book, and it takes courage and money to get it out there if the author wants to take the self-published route. Readers who are interested in self-published books but who don't want to waste their time on low-quality ones need a place to go for reviews. My new goal is to post a review of a self-published book the first weekend of every month so that authors and readers can connect with each other. I'm also going to try and get author interviews so that readers can meet the people behind the books. At first, reviews and interviews will be posted separately due to time constraints.

A disclaimer: I'm going to start with books by authors I know through real-life connections and through Twitter. If you're interested in getting your book reviewed and are willing to be interviewed by an otherworldly catfish, please email my assistant at bert{at}ceciliadominic.com or follow Bert on Twitter and message him there.



Title: The First Excellence – Fa-Ling's Map
Author: Donna Carrick
Genres: Coming-of-Age, Crime, Drama

I am ashamed to say that I've had The First Excellence – Fa-Ling's Map sitting in my to-read pile almost since I started this blog in the Spring. I enjoyed Carrick's serial thriller Two Good Hands (available to read on The Penny Dreadful web site) and knew that she is a master of intricate plotting and suspense, but I had a hard time getting excited about a Chinese girl's coming-of-age story since I'm not typically a coming-of-age genre fan. I brought it to my parents' cabin to read over my anniversary weekend, and once I started it, I devoured it in less than twenty-four hours.

Yes, devoured. This is not your typical "young adult finds herself" tale. The first two chapters contain a suicide, triple murder, hints at an anti-government plot, and introductions to characters who quickly find themselves in precarious positions. Set in China, the book focuses on Fa-Ling, an orphan who was adopted with her younger sister by a Canadian couple and who returns to her homeland to figure out who she is and what her "First Excellence," or career, should be. However, her cautious Canadian parents won't let her go alone, so she joins a supposedly "safe" group of five couples who are going to China to finalize the adoptions of baby girls. One couple is not what they seem, and one member of the group has her own very dirty little secret that results in two kidnappings. Fa-Ling meets a handsome Chinese detective who is investigating a supposed suicide that occurs in the room next to hers on her first night in China, and their feelings for each other grow as the investigation becomes more complicated.

One tough task for authors who write for a Western audience but who want to set their books in an unfamiliar land is how to highlight cultural differences without lecturing. Carrick, who has been through the Chinese adoption process, who is familiar with land's customs, and who has obviously done her homework, allows the reader into the Chinese mindset without information dumping or becoming preachy. Moments of humor are both at the expense of the sometimes clueless Westerners and annoyed Easterners, and they are always portrayed with sensitivity and understanding. At the end of the day, all the characters are human, and even the villains seem sympathetic.

With regard to manufacturing and appearance, the book is beautifully illustrated and put together by BookSurge. I did catch a few editing mistakes, but no more than I usually find in traditionally published works.

This is probably a matter of personal preference, but my only complaint is that Carrick writes in third-person omniscient point-of-view. Although she keeps the head-hopping to a minimum, I found that having more than one perspective per scene could sometimes be jarring. I – and, I suspect, many Western readers – have come to view third-person limited as the convention. Luckily, she doesn't do it too often.

Overall, I really enjoyed Carrick's First Excellence and hope she continues the story of Fa-Ling and handsome Detective Wang. This would make a fun series.

The First Excellence – Fa-Ling's Map is $17.99 at amazon.com and also available for $7.99 on Kindle.

Previous reviews: Kenn Allen's The Golden Cockerel

Coming up in January: Laura Eno's Don't Fall Asleep