Character on the Couch: Beth Dolgner's Carter

I had a lovely time at Anachrocon a couple of weekends ago with fellow authors including Beth Dolgner, who, I found, lives quite close to me. She was kind enough to send her gentleman ghost hunter Carter over for a chat.

Ghost of a Threat 

Book 1 of the Betty Boo, Ghost Hunter Series

Normal young women go on dates on Saturday nights. Paranormal investigator Betty “Boo” Boorman goes on ghost hunts in Savannah, Georgia, America's most haunted city. She's more comfortable around ghosts than guys, anyway.

A violent haunting forces Betty to team up with her rival ghost hunter, the arrogant Carter Lansford. When the violence is turned toward her, though, Betty knows she needs additional expertise. She enlists the help of a handsome stranger, who introduces himself simply as Maxwell, Demon.

Betty's ghost hunting is cut short when she's threatened and, finally, attacked. Either someone wants her to stay away from an investigation, or a demon hunter is targeting her. As Betty begins to fall for Maxwell's mysterious charm, she starts to wonder if her life—and her soul—are worth the risk.

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1. If your character were to go to a psychologist – willingly or unwillingly – what would bring them in? Yes, a court order is a valid answer.

Carter Lansford had never thought of himself as someone who would willingly visit a psychologist. He was descended from a long line of strong men, rich merchants who had helped shape Savannah’s history. None of them would have ever visited a psychologist. After all, they certainly weren’t the ones who needed help. They did just fine on their own, thank you.

Then again, none of Carter’s ancestors had been ghost hunters like him. Nor had they, Carter thought smugly, ever published a book, been a featured guest at paranormal conventions or been the local media’s favorite person during the Halloween season. They had also never seen demons in the flesh.


2. Is the presenting problem one of the main internal or external conflicts in your book? If so, how does it present itself?

Carter had refused to believe in demons for as long as possible, assuming that violent paranormal activity was simply the result of really angry ghosts. He had been in denial until he had seen a demon lay his hands on a man and burn him from the inside out, incinerating the body completely. Carter shuddered every time he remembered the scene, a sickening feeling in his stomach rising as he recalled the smell of burning flesh. Carter would never dare to tell his friends about the nightmares, and so he had finally given in, hoping no one would see him furtively entering the psychologist’s office.

3. It's always interesting to see how people act when they first enter my office. Do they immediately go for my chair, hesitate before sitting anywhere, flop on the couch, etc.? What would your character do?

Carter walked into the office and headed straight for the window. He brushed the fingers of one finely manicured hand along the windowsill, as if he was inspecting for dust. With a sniff of satisfaction, he turned and walked to the couch, sitting down with the air of visiting royalty. He crossed his legs and smoothed his blonde hair calmly.

4. Does your character talk to the therapist? How open/revealing will your character be? What will he or she say first?

“So,” Carter said grandly in his Southern drawl, finally making eye contact with the psychologist, “if you’ve read my book, then what I’m going to say won’t be much of a surprise to you. Do you believe in ghosts and demons?”

“Do you, Mr. Lansford?”

“Of course. I have proven their existence. My paranormal investigation team is the best in Savannah. Understand, though, that I can’t tell you all of my story because some of it could have, well,” Carter paused dramatically, “negative consequences.”

“Our discussion is completely confidential, I assure you.”

Carter waved a hand dismissively. “I’m a public figure. I can’t be too careful.”

5. Your character walks into the bar down the street after his/her first therapy session. What does he/she order? What happens next?

Of course The Burglar Bar would be the closest bar to the psychologist’s office. Carter kept walking, knowing it was a favorite place of Betty’s. While he and his rival ghost hunter might have formed a tenuous friendship, he was in no mood to run into her, especially since so much of his therapy session had been about her and her boyfriend. It was worth walking the few extra blocks to enter the cool darkness of the bar at the Pink House. The snug space in the basement of the historic mansion was quiet at this time of day, and Carter sat at the far end of the bar, as far from the few other patrons as possible. Carter barely looked at the bartender, and his voice was distracted as he said simply, “Martini.”

6. When you're building characters, do you have any tricks you use to really get into their psyches, like a character interview or personality system (e.g., Myers-Briggs types)?

My best characters show up in my mind pretty fully formed, and the opening chapters of a novel are when I get to know them. I carefully observe the decisions they make and the things they say, tweaking the text until it suits their personality. Often, after that “getting to know you” stage, my characters seem to act on their own. I don’t feel like I’m creating them anymore: they are autonomous beings, and I’m simply following in their wake, writing down everything they say and do.


Of all the characters I’ve ever written, Carter is my favorite. His snobbish attitude meant he often said or did things that surprised me. I’d be typing a manuscript while thinking, “Really, Carter? Can you really be that much of a jerk?” He often disappointed me in the first two Betty Boo novels, but I was proud to see his character evolve and grow over the course of the whole series. Carter always felt so real to me!

CD says: I love it when that happens! I usually feel like opening chapters are a "getting to know you" period for my characters as well. Thank you so much for stopping by!

Beth Dolgner started writing short stories at a young age, and having a journalism teacher for a dad certainly set her on the right track. After she graduated from Florida Atlantic University with her degree in Communications, Beth began working as a freelance writer, journalist and public relations representative. 

Georgia Spirits and Specters, Beth's first non-fiction book, debuted in the spring of 2009 and was followed by “Everyday Voodoo” in 2010. Beth made her fiction debut in October of 2011 with the paranormal romance Ghost of a Threat, the first in the Betty Boo, Ghost Hunter series. She is also the author of the young adult steampunk novel Manifest.

Beth and her husband Ed live in Atlanta, Georgia, with their four cats. Beth is online at www.BethDolgner.com. Her books are available in paperback, Kindle and Nook formats from Amazon and Barnes & Noble.

Snarkology Halloween Hop: Victorian Ghosts and Hysteria

 

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Victorian Ghosts and Hysteria

When I was a kid, I spent hours reading ghost stories. Something about apparitions from beyond the grave fascinated me. Like many elementary school children in the South, I read Kathryn Tucker Windham's series, most notably 13 Alabama Ghosts and Jeffrey, which, thanks to my overactive imagination, ensured that I didn't go upstairs to go to the bathroom in the evenings without turning ALL the lights on. Yes, I liked the idea of ghosts. No, I didn't want to meet one.

Pratt Hall at Huntingdon College (image credit: al.com article)

Thankfully I'd mostly gotten over my fear of ghosts by the time I went to Huntingdon College. If you're familiar with the 13 Alabama Ghosts book, you will recognize the school as the site of the haunting mentioned in the eleventh chapter, or The Red Lady of Huntingdon College (hyperlinked to an al.com story about her). My sorority pledge room or storage room - I was never sure which - was supposedly the site of the tragedy, but we were always careful to never be up there alone or piss off Martha. I never saw, heard, or felt her, which was probably good with my aforementioned imagination. You see, the mind is a tricky thing. The Victorians knew this well.

While researching my current work, the third book in my Aether Psychics series, which will be called Aether Spirit, I found a fascinating book called The Birth of Neurosis:  Myth, Malady, and the Victorians by physician and medical historian George Drinka. It was written in the early 1980s and is long out of print, but thanks to my local library, I was able to get my hands on a copy quickly. It details the history of mental health in the Victorian era outside of Freud. Yes, there were others working in psychology, which was really psychiatry since they were all medical doctors at the time. The cultural context for mental illness is fascinating and can be seen in Victorian ghost stories if you know where to look.

First let’s talk about how death was handled in Victorian times. Typically people died at home, not removed from their relatives in hospitals, and it was common across the lifespan. Women frequently died in childbirth and children before they reached adulthood. If you think about it, signs of death and mourning were everywhere, whether they were people in mourning clothing, the peals of church bells, or elaborate funerals and processions. Rules about mourning were also part of the many Victorian social regulations. Is it any wonder that ghost stories became a popular genre with well-known authors such as Charles Dickens (of course), Arthur Conan Doyle, and Henry James contributing to it? It was actually a great genre for female authors, too.

So how do ghosts and mental illness intersect? What happened beyond the grave and “madness” were two areas the Victorians didn’t have much control over or knowledge about, but about which they were fascinated. They’d made some progress with regard to nerves but still didn’t know exactly how they worked and regarded the nervous system, particularly that of women, as fragile and easily overwhelmed by the growing chaos of “modern” life or other disturbances. Would such overwhelmed nervous systems be more inclined to see things that weren’t there and mistake them for spirits? We recall Ebenezer Scrooge’s accusation that Marley’s ghost is a bit of undigested beef.

According to The Birth of Neurosis, one theory about psychological problems was called the Degenerate Theory, in which successive generations succumbed to worse forms of mental illness until the final progeny died either in prison or mental institutions. So, rather than being a cause for anxiety for individuals and their immediate family only, psychological issues could potentially mean the dying out of an entire family, and this concern permeates the ghost story literature of the era. For example, in the first story in Michael Sims’ entertaining compilation Phantom Coach: A Connoisseur’s Collection of Victorian Ghost Stories, from which I draw my examples, the narrator says, 

“…I thought I could make out that Miss Furnivall was crazy, from their odd ways about her, and I was afraid lest something of the same kind (which might be in the family, you know) hung over my darling.” 

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She’s talking about her “darling” charge, a little girl named Rosemund, and the child's great aunt, who is guilty over some events of many years previously. The story is The Old Nurse’s Story by Elizabeth Gaskell.

Mental illness had symptoms similar to the sensations experienced by those who encountered ghosts. Recall that Arthur Conan Doyle was a trained physician. In his story The Captain of the Pole Star, the captain asks the narrator, the ship’s doctor, about the symptoms of madness. The narrator replies, “Pains in the head, noises in the ear, flashes before the eyes, delusions…” The captain has also been seeing a ghost and is going mad from grief. Or is he? The doctor has to sort it out.

The emotional experiences that attract ghosts in stories also drove people mad, for example, guilt, witnessing violent death, and suggestion through frightening tales. These are evident in The Phantom Coach story by Amelia B. Edwards and Henry James’ Sir Edmund Orme. Also, the narrator in Charles Dickens’ lesser known story The Trial for Murder is at a point in his life when he’s feeling burned out by his job and dissatisfied with his situation when he starts seeing a ghost. Although they didn't call it burnout, Victorian physicians treated men and women who were "neurasthenic" due to overwhelm from the demands of life.

Victorian ghost stories are entertaining in their own right, but knowing how the society viewed psychological illness adds an interesting dimension to the tales.

I will never forget 13 Alabama Ghosts and Jeffrey. What is one ghost story that still haunts you? See what I did there? Tell me your favorite ghost story for a chance to win a $10 Amazon gift card. Novels, short stories, and movies are all fair game. Please leave your email address in the comment box itself so I can easily contact the winner. And don't forget to enter for a chance to win one of the main blog tour prizes.