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This year I'm thrilled and honored to be part of the Snarkology Halloween Hop. There are lots of bloggers participating, each with their own prize, and the grand prizes for the actual blog hop are fabulous, too.
(1) $100 Amazon or B&N Gift Card or
(1) $50 Amazon or B&N Gift Card or
(1) $50 Amazon or B&N Gift Card or
(1) $50 Amazon or B&N Gift Card
Victorian Ghosts and Hysteria
When I was a kid, I spent hours reading ghost stories. Something about apparitions from beyond the grave fascinated me. Like many elementary school children in the South, I read Kathryn Tucker Windham's series, most notably 13 Alabama Ghosts and Jeffrey, which, thanks to my overactive imagination, ensured that I didn't go upstairs to go to the bathroom in the evenings without turning ALL the lights on. Yes, I liked the idea of ghosts. No, I didn't want to meet one.
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| Pratt Hall at Huntingdon College (image credit: al.com article) |
While researching my current work, the third book in my Aether Psychics series, which will be called Aether Spirit, I found a fascinating book called The Birth of Neurosis: Myth, Malady, and the Victorians by physician and medical historian George Drinka. It was written in the early 1980s and is long out of print, but thanks to my local library, I was able to get my hands on a copy quickly. It details the history of mental health in the Victorian era outside of Freud. Yes, there were others working in psychology, which was really psychiatry since they were all medical doctors at the time. The cultural context for mental illness is fascinating and can be seen in Victorian ghost stories if you know where to look.
First let’s talk about how death was handled in Victorian times. Typically people died at home, not removed from their relatives in hospitals, and it was common across the lifespan. Women frequently died in childbirth and children before they reached adulthood. If you think about it, signs of death and mourning were everywhere, whether they were people in mourning clothing, the peals of church bells, or elaborate funerals and processions. Rules about mourning were also part of the many Victorian social regulations. Is it any wonder that ghost stories became a popular genre with well-known authors such as Charles Dickens (of course), Arthur Conan Doyle, and Henry James contributing to it? It was actually a great genre for female authors, too.
So how do ghosts and mental illness intersect? What happened beyond the grave and “madness” were two areas the Victorians didn’t have much control over or knowledge about, but about which they were fascinated. They’d made some progress with regard to nerves but still didn’t know exactly how they worked and regarded the nervous system, particularly that of women, as fragile and easily overwhelmed by the growing chaos of “modern” life or other disturbances. Would such overwhelmed nervous systems be more inclined to see things that weren’t there and mistake them for spirits? We recall Ebenezer Scrooge’s accusation that Marley’s ghost is a bit of undigested beef.
According to The Birth of Neurosis, one theory about psychological problems was called the Degenerate Theory, in which successive generations succumbed to worse forms of mental illness until the final progeny died either in prison or mental institutions. So, rather than being a cause for anxiety for individuals and their immediate family only, psychological issues could potentially mean the dying out of an entire family, and this concern permeates the ghost story literature of the era. For example, in the first story in Michael Sims’ entertaining compilation Phantom Coach: A Connoisseur’s Collection of Victorian Ghost Stories, from which I draw my examples, the narrator says,
“…I thought I could make out that Miss Furnivall was crazy, from their odd ways about her, and I was afraid lest something of the same kind (which might be in the family, you know) hung over my darling.”
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| Real paper books! |
Mental illness had symptoms similar to the sensations experienced by those who encountered ghosts. Recall that Arthur Conan Doyle was a trained physician. In his story The Captain of the Pole Star, the captain asks the narrator, the ship’s doctor, about the symptoms of madness. The narrator replies, “Pains in the head, noises in the ear, flashes before the eyes, delusions…” The captain has also been seeing a ghost and is going mad from grief. Or is he? The doctor has to sort it out.
The emotional experiences that attract ghosts in stories also drove people mad, for example, guilt, witnessing violent death, and suggestion through frightening tales. These are evident in The Phantom Coach story by Amelia B. Edwards and Henry James’ Sir Edmund Orme. Also, the narrator in Charles Dickens’ lesser known story The Trial for Murder is at a point in his life when he’s feeling burned out by his job and dissatisfied with his situation when he starts seeing a ghost. Although they didn't call it burnout, Victorian physicians treated men and women who were "neurasthenic" due to overwhelm from the demands of life.
